Bolaño's Library · Index
All 197 entries
| 175 | Georges Perec | writer | France | Tres, "A Stroll Through Literature" — dreams 1 and 57, where Perec is three years old | High (bot) | 2026-09-10 |
| 174 | José Martí | writer | Cuba | The Savage Detectives III, García Madero's Sonora diary | Medium (bot) | 2026-08-30 |
| 173 | Robert Louis Stevenson | writer | Scotland | The Savage Detectives III, the Sonora desert notebook | Medium (bot) | 2026-08-30 |
| 172 | Jean de La Fontaine | writer | France | The Savage Detectives III, García Madero's Sonora desert notebook | Medium (bot) | 2026-08-30 |
| 171 | Hypatia | writer | Roman Egypt | The Savage Detectives III, Cesárea Tinajero's notebooks — "the Greek woman's name was Hypatia"; foreshadowed in II, Flora Castañeda's account of Cesárea's black notebooks | High (bot) | 2026-08-30 |
| 170 | Heimito von Doderer | writer | Austria | The Savage Detectives II, the borrowed first name of Heimito Künst — the Viennese neo-Nazi in the Stuckgasse garret who shares a Beersheba cell with Ulises Lima | Medium (bot) | 2026-08-30 |
| 169 | Carla Rippey | writer | Mexico (b. United States) | The Savage Detectives, as the model for the painter Catalina O'Hara; the cover of Bolaño's first book, Reinventar el amor | High (bot) | 2026-08-30 |
| 168 | Juan García Ponce | writer | Mexico | Unverified — per the curator, the model for Juan García Madero, diarist of The Savage Detectives I and III | Low (bot) | 2026-08-30 |
| 167 | Horace | writer | Ancient Rome | The Savage Detectives III, Belano on Horacio Guerra, the Santa Teresa dean who is a pocket Octavio Paz — "the poet Horace lived in the age of Octavian Augustus, didn't he?"; Between Parentheses, the column on Satires 1.9 and the bore called Bolanus | High (bot) | 2026-08-30 |
| 166 | Archilochus | writer | Greece (Paros) | Between Parentheses, the essay "Exiles"; The Savage Detectives III, García Madero's prosody quiz in the Sonora desert (Lima: "Great poet"; Belano recites him from memory) | High (bot) | 2026-08-30 |
| 165 | Sappho | writer | Greece | The Savage Detectives III, "The Deserts of Sonora" — García Madero's poetics quizzes in the Impala, where sapphic verse turns up among the metrical terms he fires at Lima, Belano and Lupe while Alberto's Camaro closes in | Medium (bot) | 2026-08-30 |
| 164 | Alcaeus | writer | Greece (Lesbos) | The Savage Detectives III, García Madero's poetic-terminology quizzes in the Sonora desert ("alcaica" among the saturnians, asclepiads and archilochians) | Medium (bot) | 2026-08-30 |
| 163 | Asclepiades of Samos | writer | Greece | The Savage Detectives III, García Madero's metrical catechism in the car out of Mexico City — the greater Asclepiad, sixteen syllables, defined at speed while Lupe and the fugitives flee north | Medium (bot) | 2026-08-30 |
| 162 | Gnaeus Naevius | writer | Roman Republic (Campania) | The Savage Detectives III, García Madero's poetic-terminology quiz in the car crossing Sonora — asked which poets used the Saturnian, he answers "Livius Andronicus and Naevius. Religious and commemorative poetry." | High (bot) | 2026-08-30 |
| 161 | Livius Andronicus | writer | Ancient Rome (b. Tarentum) | The Savage Detectives III, "The Deserts of Sonora" — García Madero's diary, among the poets and verse-terms he recites on the run | Medium (bot) | 2026-08-30 |
| 160 | Don DeLillo | writer | United States | The Savage Detectives II, Jacobo Urenda's Liberia testimony — the war photographer López Lobo is "what Don DeLillo is to writers" | High (bot) | 2026-08-30 |
| 159 | Julien Sorel | writer | France (fictional) | Between Parentheses, the closing Mónica Maristain interview — "Julien Sorel, our father"; the Proust questionnaire, where he is named favorite fictional hero; The Savage Detectives II, a witness likening Belano to him | High (bot) | 2026-08-29 |
| 158 | Antonio Machado | writer | Spain | Unverified — likely Between Parentheses, among the Spanish poets Bolaño invokes in his Catalan-press columns | Low (bot) | 2026-08-29 |
| 157 | Azorín | writer | Spain | The Savage Detectives II | Medium (bot) | 2026-08-29 |
| 156 | Miguel de Unamuno | writer | Spain | 2666, The Part About the Critics, the Studien journal articles — an essay on the idea of God in Archimboldi and Unamuno | High (bot) | 2026-08-29 |
| 155 | Pío Baroja | writer | Spain | Unverified — no named appearance located; belongs to the Spanish novelistic backdrop Bolaño quarrels with in Between Parentheses. | Low (bot) | 2026-08-29 |
| 154 | Antonio Gramsci | writer | Italy | Not verified in Bolaño's work; the plausible habitats are the clandestine Marxism tutorials Urrutia Lacroix gives Pinochet and the junta in By Night in Chile, and the roster of philosophers' names in Amalfitano's hanging-diagrams in 2666 | Low (bot) | 2026-08-29 |
| 153 | Amado Nervo | writer | Mexico | The Savage Detectives I, San Epifanio's taxonomy | High (bot) | 2026-08-29 |
| 1 | Manuel Acuña | writer | Mexico | The Savage Detectives I, San Epifanio's taxonomy | High | original batch |
| 2 | Martín Adán | writer | Peru | The Savage Detectives I, the taxonomy | High | original batch |
| 3 | Aeschylus, Sophocles, Euripides, Aristophanes | writer | Ancient Greece | By Night in Chile, Urrutia reads the Greeks while the city burns | Medium | original batch |
| 4 | César Aira | writer | Argentina | Between Parentheses | Medium | original batch |
| 5 | Rafael Alberti | writer | Spain | The Savage Detectives I, the taxonomy | High | original batch |
| 6 | Vicente Aleixandre | writer | Spain | The Savage Detectives I, the taxonomy | High | original batch |
| 7 | Aristotle | writer | Ancient Greece | 2666 II, diagrams | Medium | original batch |
| 8 | Honoré de Balzac | writer | France | Distant Star, defiled by the "barbaric writers" | Medium | original batch |
| 9 | Juan Bañuelos (model for Julio César Álamo) | writer | Mexico | The Savage Detectives I, the workshop García Madero abandons; also on the Nicaragua trip in Part II | High | original batch |
| 10 | Charles Baudelaire | writer | France | 2666, epigraph | High | original batch |
| 11 | William Blake | writer | England | The Savage Detectives I, the taxonomy (top rank) | High | original batch |
| 12 | José Joaquín Blanco (model for Luis Sebastián Rosado) | writer | Mexico | The Savage Detectives II, Rosado's testimonies | High | original batch |
| 13 | Jorge Boccanera (model for Fabio Ernesto Logiacomo) | writer | Argentina | The Savage Detectives II | High | original batch |
| 14 | Roberto Bolaño (model for Arturo Belano) | writer | Chile | The Savage Detectives, Amulet, Distant Star (narrator), Cowboy Graves | High | original batch |
| 15 | Heinrich Böll | writer | Germany | 2666 I (passing) | Low | original batch |
| 16 | Jorge Luis Borges | writer | Argentina | Nazi Literature in the Americas (the whole book is a Borges pastiche); The Savage Detectives I (taxonomy: "ambiguous"); Between Parentheses (throughout the essays) | High | original batch |
| 17 | André Breton | writer | France | Cowboy Graves, "French Comedy of Horrors" | Medium | original batch |
| 18 | Robert Browning | writer | England | By Night in Chile, via Sordello | Medium | original batch |
| 19 | Michel Bulteau (appears as himself) | writer | France | The Savage Detectives II, his own testimony | High | original batch |
| 20 | Mariana Callejas (model for María Canales) | writer | Chile | By Night in Chile | High | original batch |
| 21 | Ernesto Cardenal | writer | Nicaragua | The Savage Detectives II, the Nicaragua trip | Medium | original batch |
| 22 | Horacio Castellanos Moya | writer | El Salvador | Between Parentheses | High | original batch |
| 23 | Catullus, Ovid, Virgil | writer | Ancient Rome | The Savage Detectives II, Xosé Lendoiro's Latin | Medium | original batch |
| 24 | Paul Celan | writer | Romania (German-language) | Amulet, the prophecy | Medium | original batch |
| 25 | Louis-Ferdinand Céline | writer | France | Amulet, the prophecy | High | original batch |
| 26 | Luis Cernuda | writer | Spain | The Savage Detectives I (taxonomy: "a nymph, and sometimes a true poet"); Woes of the True Policeman | High | original batch |
| 27 | Aimé Césaire | writer | Martinique (France) | Nazi Literature in the Americas, plagiarized by Max Mirebalais | Medium | original batch |
| 28 | G. K. Chesterton | writer | England | By Night in Chile, epigraph | High | original batch |
| 29 | Carl von Clausewitz | writer | Prussia (Germany) | The Third Reich, Udo's theorizing | Low | original batch |
| 30 | José de la Colina (model for José "Zopilote" Colina) | writer | Mexico | The Savage Detectives II, establishment testimonies | Medium | original batch |
| 31 | Julio Cortázar | writer | Argentina | The Savage Detectives II, literary chatter; Between Parentheses | Medium | original batch |
| 32 | Jorge Cuesta | writer | Mexico | The Savage Detectives, the Contemporáneos | Medium | original batch |
| 33 | Dante Alighieri | writer | Italy | By Night in Chile, via Sordello | High | original batch |
| 34 | Rubén Darío | writer | Nicaragua | The Savage Detectives I, the taxonomy ("the queen of the locas") | High | original batch |
| 35 | Robert Desnos | writer | France | Amulet (probable) | Medium (placement Low) | original batch |
| 36 | Antonio Di Benedetto | writer | Argentina | Model for the exiled writer in the story "Sensini" (Last Evenings on Earth); praised in essays | High | original batch |
| 37 | Hernán Díaz Arrieta, "Alone" (model for Farewell) | writer | Chile | By Night in Chile | High | original batch |
| 38 | Philip K. Dick | writer | United States | Between Parentheses; Nazi Literature in the Americas (Zach Sodenstern's science-fiction lineage) | Medium | original batch |
| 39 | Charles Dickens | writer | England | 2666 II, the pharmacist | High | original batch |
| 40 | Denis Diderot | writer | France | Nazi Literature in the Americas, refuted by Fontaine da Souza | Medium | original batch |
| 41 | Rafael Dieste | writer | Spain (Galicia) | 2666 II, the book on the clothesline | High | original batch |
| 42 | Alfred Döblin | writer | Germany | 2666 V, Archimboldi's reading | Medium | original batch |
| 43 | Miguel Donoso Pareja (model for Vargas Prado) | writer | Ecuador | The Savage Detectives II | Medium | original batch |
| 44 | Ignacio Echevarría (model for Iñaki Echavarne) | writer | Spain | The Savage Detectives II, the beach duel | High | original batch |
| 45 | Friedrich Engels | writer | Germany | By Night in Chile, the lessons | Medium | original batch |
| 46 | Hans Magnus Enzensberger | writer | Germany | 2666 I (passing) | Low | original batch |
| 47 | Philip José Farmer | writer | United States | The Spirit of Science Fiction, Jan's letters | Low | original batch |
| 48 | León Felipe | writer | Spain | The Savage Detectives II; Amulet | High | original batch |
| 49 | Macedonio Fernández | writer | Argentina | The Savage Detectives I, the taxonomy | High | original batch |
| 50 | Gustave Flaubert | writer | France | 2666 II, the pharmacist's preferences | High | original batch |
| 51 | Rubem Fonseca | writer | Brazil | Nazi Literature in the Americas, Amado Couto's obsession | Medium | original batch |
| 52 | Carlos Fuentes | writer | Mexico | The Savage Detectives II, literary chatter | Medium | original batch |
| 53 | Darío Galicia (model for Ernesto San Epifanio) | writer | Mexico | The Savage Detectives I and II | High | original batch |
| 54 | Federico García Lorca | writer | Spain | Woes of the True Policeman, the taxonomy | Medium | original batch |
| 55 | Gabriel García Márquez | writer | Colombia | Absent from the novels; the same interview joke, and the satirical speech "Los mitos de Cthulhu" in Between Parentheses | Medium | original batch |
| 56 | Pedro Garfias | writer | Spain | The Savage Detectives II; Amulet | High | original batch |
| 57 | Jean Genet | writer | France | Woes of the True Policeman, Padilla's project | Low | original batch |
| 58 | Pere Gimferrer (model for Pere Ordóñez) | writer | Spain (Catalonia) | The Savage Detectives II, the Madrid book fair | High | original batch |
| 59 | Sergio González Rodríguez (appears as "Sergio González") | writer | Mexico | 2666 IV | High | original batch |
| 60 | Maxim Gorky | writer | Russia | 2666 V, Ansky's notebook | Low | original batch |
| 61 | Günter Grass | writer | Germany | 2666 I (passing) | Low | original batch |
| 62 | Orlando Guillén (model for "El Cojo") | writer | Mexico | The Savage Detectives, passing | Low | original batch |
| 63 | Jorge Guillén | writer | Spain | The Savage Detectives I, the taxonomy | High | original batch |
| 64 | Marta Harnecker | writer | Chile | By Night in Chile, the junta's Marxism lessons | High | original batch |
| 65 | G. W. F. Hegel | writer | Germany | 2666 II | Medium | original batch |
| 66 | Martin Heidegger | writer | Germany | 2666 II | Medium | original batch |
| 67 | Heraclitus | writer | Ancient Greece | 2666 II | Medium | original batch |
| 68 | Homer | writer | Ancient Greece | By Night in Chile, same passage | Medium | original batch |
| 69 | Efraín Huerta | writer | Mexico | The Savage Detectives I | Medium | original batch |
| 70 | Victor Hugo | writer | France | Distant Star, the barbaric writers | Medium | original batch |
| 71 | Vicente Huidobro | writer | Chile | Amulet, the prophecy | Medium | original batch |
| 72 | James Joyce | writer | Ireland | Amulet, the prophecy | High | original batch |
| 73 | Sor Juana Inés de la Cruz | writer | Mexico | The Savage Detectives I | Medium | original batch |
| 74 | Ernst Jünger | writer | Germany | By Night in Chile (the Guatemalan painter's garret); 2666 V (the Romanian castle) | High | original batch |
| 75 | Franz Kafka | writer | Bohemia (German-language) | 2666 II, the pharmacist; Between Parentheses | High | original batch |
| 76 | Immanuel Kant | writer | Prussia (Germany) | 2666 II | Medium | original batch |
| 77 | Osvaldo Lamborghini | writer | Argentina | Between Parentheses | Medium | original batch |
| 78 | Mara Larrosa (model for María Font) | writer | Mexico | The Savage Detectives I and II | High | original batch |
| 79 | Comte de Lautréamont | writer | Uruguay / France | The Savage Detectives I, the visceral realists' scripture | High | original batch |
| 80 | Ursula K. Le Guin | writer | United States | The Spirit of Science Fiction, Jan's letters | Medium | original batch |
| 81 | Fritz Leiber | writer | United States | The Spirit of Science Fiction, Jan's letters | Medium | original batch |
| 82 | Pedro Lemebel | writer | Chile | Between Parentheses | High | original batch |
| 83 | Vladimir Lenin | writer | Russia | By Night in Chile, the lessons | Medium | original batch |
| 84 | Edna Lieberman (model for Edith Oster) | writer | Mexico | The Savage Detectives II | High | original batch |
| 85 | Enrique Lihn | writer | Chile | Distant Star; Between Parentheses; "Meeting with Enrique Lihn" (The Return) | Medium | original batch |
| 86 | Germán List Arzubide | writer | Mexico | The Savage Detectives II, Amadeo Salvatierra | High | original batch |
| 87 | Pierre Louÿs | writer | France | The Savage Detectives I and III, García Madero's reading | Medium | original batch |
| 88 | Thomas Mann | writer | Germany | Amulet, the prophecy | High | original batch |
| 89 | Manuel Maples Arce | writer | Mexico | The Savage Detectives II (Amadeo) and III | High | original batch |
| 90 | Javier Marías | writer | Spain | Between Parentheses | Medium | original batch |
| 91 | Karl Marx | writer | Germany | By Night in Chile, the lessons; 2666 II | Medium | original batch |
| 92 | Vladimir Mayakovsky | writer | Russia | Amulet, the prophecy | High | original batch |
| 93 | Rubén Medina (model for Rafael Barrios) | writer | Mexico | The Savage Detectives II | High | original batch |
| 94 | Herman Melville | writer | United States | 2666 II, the pharmacist | High | original batch |
| 95 | Matthieu Messagier | writer | France | The Savage Detectives II | Medium | original batch |
| 96 | Carlos Monsiváis (appears as himself) | writer | Mexico | The Savage Detectives II, his own testimony | High | original batch |
| 97 | Bruno Montané (model for Felipe Müller) | writer | Chile | The Savage Detectives II | High | original batch |
| 98 | Augusto Monterroso (model for Pancracio Montesol) | writer | Guatemala | The Savage Detectives II, Rosado's and Montero's testimonies | High | original batch |
| 99 | Antonio Muñoz Molina (model for Aurelio Baca) | writer | Spain | The Savage Detectives II, the Madrid book fair | Medium | original batch |
| 100 | Pablo Neruda | writer | Chile | By Night in Chile (in person at Farewell's estate); The Savage Detectives I (taxonomy); Woes of the True Policeman; Between Parentheses; Distant Star | High | original batch |
| 101 | Friedrich Nietzsche | writer | Germany | 2666 II | Medium | original batch |
| 102 | Salvador Novo | writer | Mexico | The Savage Detectives, the Contemporáneos | Medium | original batch |
| 103 | Charles Olson | writer | United States | Nazi Literature in the Americas, Rory Long's master | High | original batch |
| 104 | Gilberto Owen | writer | Mexico | The Savage Detectives, the Contemporáneos | Medium | original batch |
| 105 | Leopoldo María Panero (model for the poet at Mondragón in 2666; possible model for Pelayo Barrendoáin in TSD) | writer | Spain | 2666 II; The Savage Detectives II | High / Low | original batch |
| 106 | Nicanor Parra | writer | Chile | Amulet, the prophecy; also the "Discurso de Caracas" and the essays, where Bolaño declares him the greatest living poet in Spanish; Between Parentheses (several essays); Distant Star (Stein and the Chilean poets) | High | original batch |
| 107 | Cesare Pavese | writer | Italy | Amulet, the prophecy | High | original batch |
| 108 | Octavio Paz | writer | Mexico | The Savage Detectives I (the enemy; the taxonomy) and II (Clara Cabeza's testimony, the Parque Hundido encounter) | High | original batch |
| 109 | Jorge Pimentel and the Hora Zero poets | writer | Peru | The Savage Detectives II, the Peruvians in Paris | Medium | original batch |
| 110 | Plato | writer | Ancient Greece | By Night in Chile, Urrutia's coup reading; 2666 II | Medium | original batch |
| 111 | Sophie Podolski | writer | Belgium | Antwerp; The Savage Detectives I | Medium | original batch |
| 112 | Edgar Allan Poe | writer | United States | Nazi Literature in the Americas, Edelmira Thompson's Poe room | High | original batch |
| 113 | Ezra Pound | writer | United States | Amulet, the prophecy; Nazi Literature in the Americas | High / Medium | original batch |
| 114 | Marcel Proust | writer | France | Amulet, the prophecy | High | original batch |
| 115 | Rodrigo Rey Rosa | writer | Guatemala | Between Parentheses | High | original batch |
| 116 | Alfonso Reyes | writer | Mexico | The Savage Detectives I | Medium | original batch |
| 117 | Salvador Reyes | writer | Chile | By Night in Chile, tells the Jünger story | High | original batch |
| 118 | Arthur Rimbaud | writer | France | The Savage Detectives I; everywhere by implication; Between Parentheses | High | original batch |
| 119 | José Rosas Ribeyro (model for Roberto Rosas) | writer | Peru | The Savage Detectives II, Paris | Low | original batch |
| 120 | Jean-Jacques Rousseau | writer | France | Nazi Literature in the Americas | Medium | original batch |
| 121 | Juan Rulfo | writer | Mexico | The Savage Detectives II, literary chatter | Medium | original batch |
| 122 | Bertrand Russell | writer | United Kingdom | 2666 II, Amalfitano's diagrams | Medium | original batch |
| 123 | Marquis de Sade | writer | France | The Savage Detectives II, Simone Darrieux | Medium | original batch |
| 124 | Mario Santiago Papasquiaro (model for Ulises Lima) | writer | Mexico | The Savage Detectives throughout; Amulet; Between Parentheses; The Romantic Dogs (dedications) | High | original batch |
| 125 | Bruno Schulz | writer | Poland | Distant Star, the narrator's reading in the last scene | High | original batch |
| 126 | Marcel Schwob | writer | France | Formal model (with Borges) for Nazi Literature in the Americas; praised in Between Parentheses | High | original batch |
| 127 | Lilian Serpas | writer | El Salvador | Amulet, in person | High | original batch |
| 128 | Robert Silverberg | writer | United States | The Spirit of Science Fiction, Jan's letters | Medium | original batch |
| 129 | Sordello da Goito | writer | Italy (Occitan) | By Night in Chile, the refrain | High | original batch |
| 130 | Alcira Soust Scaffo (model for Auxilio Lacouture) | writer | Uruguay | The Savage Detectives II; Amulet | High | original batch |
| 131 | Baruch Spinoza | writer | Netherlands | The Savage Detectives II, Norman Bolzman | Low | original batch |
| 132 | Stendhal | writer | France | Distant Star, the barbaric writers | Medium | original batch |
| 133 | Alfonsina Storni | writer | Argentina | Amulet, the prophecy | Medium | original batch |
| 134 | Thucydides | writer | Ancient Greece | By Night in Chile, same passage | Medium | original batch |
| 135 | James Tiptree Jr. / Alice Sheldon | writer | United States | The Spirit of Science Fiction, Jan's letters | Medium | original batch |
| 136 | Georg Trakl | writer | Austria | Amulet, the prophecy | Medium | original batch |
| 137 | Leon Trotsky | writer | Russia | 2666 II, Amalfitano's diagrams | Medium | original batch |
| 138 | Mark Twain | writer | United States | The Between Parentheses essay on Huckleberry Finn | Medium | original batch |
| 139 | Concha Urquiza (model for Cesárea Tinajero) | writer | Mexico | The Savage Detectives II and III | High | original batch |
| 140 | Julio Valle-Castillo (model for "one of Cardenal's godsons") | writer | Nicaragua | The Savage Detectives II, Nicaragua | Low | original batch |
| 141 | César Vallejo | writer | Peru | Monsieur Pain (the dying patient); The Savage Detectives I (taxonomy); Amulet; Woes of the True Policeman; Between Parentheses | High | original batch |
| 142 | Mario Vargas Llosa | writer | Peru | Mentioned in The Savage Detectives (reader-reported; I have not located the passage — most likely in the Boom chatter of a Part II testimony); also in interviews (notably the 2003 Playboy México interview) and glancingly in Between Parentheses | Medium | original batch |
| 143 | Paul Verlaine | writer | France | The Savage Detectives I, the taxonomy ("the paradigm" outside Spanish) | High | original batch |
| 144 | Enrique Vila-Matas | writer | Spain | Between Parentheses; a close friendship in print | High | original batch |
| 145 | Xavier Villaurrutia | writer | Mexico | The Savage Detectives, the Contemporáneos | Medium | original batch |
| 146 | Voltaire | writer | France | Nazi Literature in the Americas | Medium | original batch |
| 147 | Walt Whitman | writer | United States | The Savage Detectives I, the taxonomy (top rank); Woes of the True Policeman | High | original batch |
| 148 | Juan Rodolfo Wilcock | writer | Argentina / Italy | Between Parentheses; acknowledged inspiration for Nazi Literature in the Americas | High | original batch |
| 149 | Ludwig Wittgenstein | writer | Austria | 2666 II; The Savage Detectives | Medium | original batch |
| 150 | Wolfram von Eschenbach | writer | Germany | 2666 V, Hans Reiter's boyhood reading | Medium | original batch |
| 151 | Virginia Woolf | writer | England | Amulet, the prophecy | High | original batch |
| 152 | Raúl Zurita (model for Carlos Wieder's sky-writing) | writer | Chile | Distant Star; also "Fatherland" in Cowboy Graves; Between Parentheses | High | original batch |
| 176 | Troubadour poetry | movement | 12th–13th c., Occitania | By Night in Chile, the "Sordello, which Sordello?" refrain | High | original batch |
| 177 | Symbolism / Decadence | movement | 1857–1900s, France | Through its figures rather than by name: Baudelaire's epigraph to 2666, Verlaine in the taxonomy, Louÿs as García Madero's reading, Schwob behind Nazi Literature in the Americas | High (figures), Low (named as a movement) | original batch |
| 178 | Modernismo | movement | 1888–1916, Spanish America | The Savage Detectives I, the taxonomy: Darío as "queen of the locas" | High | original batch |
| 179 | Futurism (Russian) | movement | 1912–1930, Russia | Amulet, Mayakovsky in the prophecy; 2666 V, the Soviet literary world of Ansky's notebook | Medium | original batch |
| 180 | Ultraísmo | movement | 1918–1925, Spain/Argentina | Background of The Savage Detectives's exile poets: Garfias was a signatory, Borges its Buenos Aires importer | Low (context, not named) | original batch |
| 181 | Creacionismo | movement | 1916–1930s, Chile/Paris | Via Huidobro in the Amulet prophecy | Low (context, not named) | original batch |
| 182 | Estridentismo | movement | 1921–1927, Mexico | The Savage Detectives II (Amadeo Salvatierra's testimony) and III (the Sonora archive); the movement Cesárea Tinajero is written into | High | original batch |
| 183 | Surrealism | movement | 1924–1966, Paris | Cowboy Graves ("French Comedy of Horrors": the Clandestine Surrealist Group in the sewers); Amulet (Remedios Varo, Desnos); Lautréamont everywhere as the canonized ancestor | High | original batch |
| 184 | The Contemporáneos | movement | 1928–1931, Mexico | The Savage Detectives, as the Estridentistas' cosmopolitan rivals: Villaurrutia, Novo, Cuesta, Owen | Medium | original batch |
| 185 | Generation of '27 | movement | 1927–1939, Spain | The Savage Detectives I, the taxonomy distributes its members (Cernuda, Guillén, Aleixandre, Alberti); Lorca in Woes of the True Policeman; its exiles (Garfias, León Felipe adjacent) populate Auxilio's Mexico | High | original batch |
| 186 | Négritude | movement | 1930s–1950s, Paris/Caribbean | Nazi Literature in the Americas, the Max Mirebalais entry: a Duvalierist plagiarist strip-mining Césaire | Medium | original batch |
| 187 | Socialist realism | movement | 1934 onward, USSR | 2666 V, the Ansky notebook: Ivanov's hack career and the purge of the avant-garde | Medium | original batch |
| 188 | Black Mountain / Projective Verse | movement | 1948–1957, USA | Nazi Literature in the Americas, Rory Long as Charles Olson's apostate disciple | High | original batch |
| 189 | The antipoetry line | movement | 1954 onward, Chile | Amulet (Parra in the prophecy); the essays, where Bolaño declares Parra the greatest living poet in Spanish | High | original batch |
| 190 | The Boom | movement | 1960s–1970s, Latin America | The Savage Detectives II literary chatter (Cortázar, Fuentes, Rulfo as precursor, Borges as god; Vargas Llosa reader-reported); the essays for García Márquez and Vargas Llosa | High | original batch |
| 191 | Magical realism / "macondismo" | movement | 1967 onward, everywhere | The essays, above all the speech "Los mitos de Cthulhu": the industry of imitation as Bolaño's declared enemy | High (essays) | original batch |
| 192 | The novísimos | movement | 1970, Spain | The Savage Detectives II, the Madrid book fair, through its members' models: Gimferrer (Ordóñez), Panero (Barrendoáin?) | Medium (context) | original batch |
| 193 | Hora Zero | movement | 1970 onward, Peru | The Savage Detectives II, the Peruvian poets' Paris commune (Roberto Rosas / Rosas Ribeyro) | Medium | original batch |
| 194 | The electric poets (Manifeste électrique) | movement | 1971, Paris | The Savage Detectives II, Ulises Lima seeking out Bulteau and Messagier | Medium | original batch |
| 195 | Infrarealism | movement | 1975–, Mexico City | The real movement behind everything: fictionalized as visceral realism throughout The Savage Detectives and Amulet; documented in Bolaño's own manifesto and the essays | High | original batch |
| 196 | CADA / escena de avanzada | movement | 1979–1985, Chile | Model-context for Distant Star: Zurita's sky-writing and body art, inverted into Wieder | High (as model) | original batch |
| 197 | American science fiction (the genre community) | movement | 1926 onward, USA | The Spirit of Science Fiction, Jan's letters to Sheldon, Le Guin, Silverberg, Leiber; the Ivanov subplot of 2666 | Medium | original batch |